Studio X

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Cover

Take cover, cover up, cover story, cover me will'ya?, cover girl, book cover, cover band... the images and ideas are vast.  See what we settled on below.  

Oh To Be An Oyster
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By: Kathy Nichols

Oh to be an oyster… to turn one’s troubles into treasure…

 

An umbrella was an obvious choice for the format of this theme, as we use it to cover ourselves from opposite extremes of weather – both too much sun and too much rain.  The oysters have been drawn on thing newsprint covered with thick layers of wax crayon.  The was layer is covered with paint and scraped away to reveal the drawing.  Pearl-making oysters as a subject always fascinated me.  How I too would love to spit on my troubles, and turn them into gems!

View the open oyster umbrella

Don't Judge A Book By Its Cover
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By: Lois Adam

Inside View Of Book With Racy Provocative Cover

Soft Covers
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By: Wanda Kline

Pastel drawing.

First Cover
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By: Mabel Hanscom

This small sculpture, in combination with the sculpture shown below (The Last Cover) delighted our group and indicates very clearly the range of ideas that germinate from Studio X.  Neither artist discussed the assignment with the other yet they came up with the idea for The First Cover and The Last Cover.  What a hoot! 

The First Cover worn by Adam and Eve.  Sculpy, gesso, acrylic paint and sealer.  Artificial fig leaves.

The Last Cover
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By: Theresa Palermo

Clay figure covered with material soaked in poly-urethan. On slate.

Women Under Cover: Burka, Habit, Mother Earth
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By: Sarah Groff

My first thought with the topic "cover" was about how many women on the earth are covered by clothing, often against their will, and how the earth... Mother Earth... is covered with foliage.

Cover The Cook
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By: Thelma Snyder

I took the opportunity of "cover" to experiment with the features of my new printer.  Amazing!  I scanned one of my paintings, printed it on transfer paper, and ironed it on to my apron.

Felted Hat
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By: Kerry Treasure

For some time I've been wanting to try felting.  This hat resulted from a messy and time consuming (but basically simple) process.  First, loose wool (like a cotton ball you would use to take off nail polish) was stretched into flattish strips.  Then, the strips were adhered to a balloon using dishwashing detergent, first horizontally around the balloon, then vertically, then horizontally.  Three pairs of leg-less panty hose were gently put over the whole mess and then the entire contraption was beaten, bounced, and whacked for a long time to join the fibers into felt.  Rinse, shape, trim, and dry.  Click the link below to see pictures of this process.

Making A Felted Hat